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    Official website Star Trek II: The Wrath of Khan on IMDb Star Trek II: The Wrath of Khan at Memory Alpha (a Star Trek wiki) Spock represents the supernatural ideal of a completely logical and infallible person, while Kirk represents the impassioned and human reality, prone to error and at odds with himself.[59] Spock's sacrifice at the end of the film allows for Kirk's spiritual rebirth in the tradition of the death-rebirth cycleLevine and His Revolutions in Film Promotion 2016 Sidney JFor the proposed TV series, see Star Trek: Phase II^ Staff (May 17, 2002)To present the illusion that the Enterprise's elevators moved between decks, corridor pieces were wheeled out of sight to change the hall configuration while the lift doors were closed.[14] Background equipment such as computer terminals were rented when possible instead of purchased outrightRetrieved 2017-09-17It is the second film in the Star Trek film series and is a stand-alone sequel to Star Trek: The Motion Picture (1979)The real cause of the error was a simple oversight by the filmmakers

     

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    ISBN0-415-92982-2New York: Pocket BooksPocket BooksStar Trek: "Where No Man Has Gone Before" A History in Pictures28 (2): 15966^ a b c Veilleux, Jim (October 1982)While Paramount appreciated the more dramatic presentation, they also wanted the simulation to be more impressive than traditional animation.[42] Having seen research done by Lucasfilm's Computer Graphics group, Veilleux offered them the taskThe Enterprise was refurbished for its space shots, with its shiny exterior dulled down and extra detail added to the frame.[25] Compared to the newly built Reliant, the Enterprise was hated by the effects artists and cameramen; it took eight people to mount the model, and a forklift truck to move it.[25] The Reliant, meanwhile, was lighter and had less complex internal wiring f8c43f8250

     

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